Fatih Hardal, the graphic designer who became popular through the end of 2020. Although his field of specialization seems to be font designing, he also has creative works in various disciplines such as logo, poster, packaging and corporate identity guideline designs.

He is inspired by the movements of minimalism and purism. Basically, his approach to designing differs from the others. He adopts a systematic and practical learning & teaching method that consists not only the sense of aesthetics, but also functionality.

He emphasizes that even though the major objective of the typography is communication, the aesthetics should not be ignored. In his works, he brings out his respect to the understanding of previous period designs with the dynamics of the digital era. He never sees himself in amusive designs. He acts with the principle of “Less is more” mentality in all fields of designing including the graphic design.

Fatih Hardal, the graphic designer who became popular through the end of 2020. Although his field of specialization seems to be font designing, he also has creative works in various disciplines such as logo, poster, packaging and corporate identity guideline designs.

He is inspired by the movements of minimalism and purism. Basically, his approach to designing differs from the others. He adopts a systematic and practical learning & teaching method that consists not only the sense of aesthetics, but also functionality.

He emphasizes that even though the major objective of the typography is communication, the aesthetics should not be ignored. In his works, he brings out his respect to the understanding of previous period designs with the dynamics of the digital era. He never sees himself in amusive designs. He acts with the principle of “Less is more” mentality in all fields of designing including the graphic design.

Fatih Hardal, the graphic designer who became popular through the end of 2020. Although his field of specialization seems to be font designing, he also has creative works in various disciplines such as logo, poster, packaging and corporate identity guideline designs.

He is inspired by the movements of minimalism and purism. Basically, his approach to designing differs from the others. He adopts a systematic and practical learning & teaching method that consists not only the sense of aesthetics, but also functionality.

He emphasizes that even though the major objective of the typography is communication, the aesthetics should not be ignored. In his works, he brings out his respect to the understanding of previous period designs with the dynamics of the digital era. He never sees himself in amusive designs. He acts with the principle of “Less is more” mentality in all fields of designing including the graphic design.

Clients

&Walsh

It's That Nice

Abduzzedo

Morris Motley

Adidas

Nike

Adobe

Pentagram

Airbnb

Slanted Publishers

Apple

Sony Music

Computer Arts

Studio Nari

GQ Turkey

This is Pasifica

Awards

2022

Motion Graphic Design Award (Bronze) - EDAWARDS

2021

30 Under 30 Young Talent - MediaCat

2020

World Obesity Day Logo Competition First Prize - Novo Nordisk

2020

Sait Maden Typography Award - GMK

2020

Best Typography Award - GMK

2020

Best Text Typeface Award (FH Oscar) - GMK

2020

Best Display Typeface Award (FH 1089) - GMK

2019

Best Graphic Designer of the Year - GMK

2018

Best Student Award - Turkish Graphic Designers Association (GMK)

Exhibitions

2021

Base10 Melbourne

2020

Turkish Graphic Designers Association

2020

Typojanchi: International Typography Biennale

2019

Turkish Graphic Designers Association

Publications

2021

Sorry Press - New Aesthetic 2

2020

Slanted Publishers - Support Independent Type

2020

Computer Arts - Issue 300

2019

Sandu Publishing - From A to Z

2019

The Design Kids - Interviews Hardal Studio

2019

It’s Nice That - Interviews Hardal Studio

2018

Sandu Publishing - New 3D Effects in Graphic Design

2018

Sandu Publishing - Combining 3D Effects in Graphic Design